Wartist presents: “Furtive” by Simon Menner (Berlin)

From 18 March 2011, Wartist presents photographic works by Simon Menner in the premises of the Berlin-based political consultancy republik movida GmbH. The exhibition “Furtive”, curated by Martin Bayer, will show parts of two cycles, “Camouflage” and “Murder Weapons”. Reinhold Robbe, Wehrbeauftragter des Deutschen Bundestages 2005-2010,1 will give a welcoming address.

Continue reading “Wartist presents: “Furtive” by Simon Menner (Berlin)”

  1. The Parliamentary Commissioner for the Armed Forces

Media Art Festival “transmediale.11” (Berlin)

In 1988, the media art festival transmediale was founded under its name “VideoFilmFest” in the periphery of the film festival Berlinale; in 1998, it recieved its current name. There is not only a conference, but also an open competition, an exhibition and various side events. This year’s subject is called “RESPONSE:ABILITY”. In 2011, too, several works address war.

Aesthetics of Disappearance by Jananne Al-Anis (2010) Continue reading “Media Art Festival “transmediale.11” (Berlin)”

Gerhard Richter: Images of an Era

With the exhibition “Images of an Era” (5 February – 15 May 2011), Bucerius Kunst Forum in Hamburg presents a detailed view into Gerhard Richter’s works of the 1960s and 1970s. In February 1961, Richter fled from Eastern Germany to the West. He depicted his “new world” in large-sized pictures, often based on photos. Gerhard Richter, born in 1932 and today one of the world’s most recognised contemporary artists, has consistently addressed the Nazi period in Germany, but also war and technology. His work “XL 513” from 1964 expresses tremendous dynamics and power.

Continue reading “Gerhard Richter: Images of an Era”

Simon Menner: Images from the STASI Secret Archives (Berlin)

As recently announced at Wartist, from 17 January until 3 March 2011, Simon Menner presents “Images from the Secret STASI Archives”1 as part of the exhibition series “Rendezvous mit Kunst” (meeting with art)  at Berlin’s restaurant Diekmann. The exhibition of 26 authentic photographs is part of a bigger cycle that the artist selected from images he was being provided by the Bundesbeauftragten für die Unterlagen des Staatssicherheitsdienstes der ehemaligen Deutschen Demokratischen Republik(BStU)2.

Continue reading “Simon Menner: Images from the STASI Secret Archives (Berlin)”

  1. Stasi is the short form of “(Ministerium für) Staatssicherheit” ((Ministry for) State Security), the East-German state security service.
  2. Federal Commissioner for the Stasi Archives

“Historical Picture” at Kunstraum t27 (Berlin)

From 11 December 2010 to 9 January 2011 (and as already announced here), the Berlin-based gallery Kunstraum t27 celebrates its third birthday with the group exhibition “Historienbild” within a six-part exhibition series about the various genres of (not just) painting. All the 30 works by Chris Dreier, Andreas Seltzer, Henning Kappenberg, Barbara Duisberg and Thilo Droste differently address history and remembering the past, but not the least war.

Continue reading ““Historical Picture” at Kunstraum t27 (Berlin)”

Alain Josseau: War Vision Machines (Le Garric, France)

Beginning on 25 November 2010, French artist Alain Josseau presents some of his fascinating installations in the exhibition “War Vision Machines” in Le Garric, France. His works always address our and the media’s perception of major events such as wars.

Alain Josseau: War Machine #2 Continue reading “Alain Josseau: War Vision Machines (Le Garric, France)”

Borrowed Plumes: Demokratie-Spiegel writes about Jürgen Graetz’s “Erinnerungen”

The online magazine “Demokratie-Spiegel” published a short review about the photo exhibition “Jürgen Graetz: Erinnerungen” that is curated by Martin Bayer. They already had been so kind to previously point to the exhibition’s opening  on 29 October 2010.

Continue reading “Borrowed Plumes: Demokratie-Spiegel writes about Jürgen Graetz’s “Erinnerungen””

Opening: Chandogin – War Photography from Karelia and Leningrad 1939-1944

From 5 November 2010 onwards, the German-Russian Museum in Berlin-Karlshorst1 is presenting the photo exhibition “Chandogin – War Photography from Karelia and Leningrad 1939-1944”. Since years, this museum is curating excellent exhibitions of Soviet photographers who often are hardly known in the West. This exhibition shall not the least be interesting, as its first focus is on the Soviet-Finnish Winter War of 1939-1940, about which relatively few photos are available.

Continue reading “Opening: Chandogin – War Photography from Karelia and Leningrad 1939-1944”

  1. On 8/9 May 1945 at the then Army Combat Engineers Barracks, the unconditional surrender of the German Wehrmacht was signed again and thus ratified, therefore ending the Second World War in Europe.

Jürgen Graetz: Erinnerungen (Memories)

As already announced here, on 29 October 2010, the exhibition “Erinnerungen” (memories) with photographs of Jürgen Graetz was successfully opened in the premises of the Berlin-based political consultancy republik movida GmbH. The welcome address was given by Lars Lindemann MdB (FDP) in the presence of the artist.

Continue reading “Jürgen Graetz: Erinnerungen (Memories)”

Dieter Keller (1909-1985) – Photos from the Eastern Front

After a short reminder to the opening of the exhibition “Dieter Keller (1909-1985): Photos von der Ostfront” (Photos from the Eastern Front) in the Berlin-based Gallery Berinson, we finally had the opportunity to see all the works. Traces of the Second World War are shown from the view of an artistically thoroughly able pacifist: the people portrayed – may they be alive or dear – all remain their dignity. After having seen countless photos from World War II, we do not know many others of similiar artistic quality.

Continue reading “Dieter Keller (1909-1985) – Photos from the Eastern Front”