Borrowed Plumes: Kunduz, 4 September 2009

Einzelplan 141, a well-written German-language blog on defence and security matters, published today about the opening of the exhibition “Kunduz, 4 September 2009” at Kunstraum Potsdam. Unfortunately, we could not attend by ourselves, but the “deputyship” through this article could not have been better.

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  1. The name refers to the defence part of the Federal Budget

Chris Dreier & Andreas Seltzer: “Souvenir de Verdun” (Laura Mars, Berlin)

From 27 February to 3 April 2010, Chris Dreier and Andreas Seltzer present with “Souvenir de Verdun” their extensive work on the Battle of Verdun in the Berlin-based gallery Laura Mars Grp. Dreier made touching photos with her pinhole cameras; the landscape’s scarredness is being caught in the images, as well as its recapturing by nature. Andreas Seltzer is adding to the fascinating exhibition with meticulous drawings; they are based on travel guides to the former battlefield, supplemented by further elements.

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Opening: Don McCullin – The Impossible Peace (C/O Berlin)

During five decades, photo journalist Don McCullin documented environmental and man-made disasters such as urban unrests, social ills, wars and epidemics. C/O Berlin presents some 150 black-and-white and colour photos from the complete works of McCullin for the first time in Berlin. The retrospective with its sanguine title “The Impossible Peace” looks back to an impressive half-centennial lifework.

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Martin Roemers: “Relics of the Cold War” (Berlin)

The exhibit “Relics of the Cold War” of works by the Dutch documentary photographer Martin Roemers will be presented in the Willy-Brandt-Haus in Berlin from 10 November 2009 onwards.

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Opening: “Manifest Destiny” at Moeller Fine Art (Berlin)

Moeller Fine Art shows in its Berlin gallery the multifaceted group exhibition “Manifest Destiny” with photographs, installations, sculptures, collages and drawings by Mildred Howard (USA), Tom Molloy (Ireland) and Simon Norfolk (Nigeria/UK). The title refers to the homonymous 19th-century-doctrine that was also used to legitimate the territorial expansion of the USA as God’s will.

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Photo Exhibition: In the Enemy’s Lens (Berlin)

To remember the 70th anniversary of the German attack on Poland and the beginning of the Second World War, the exhibition “Im Objektiv des Feindes” (In the Enemy’s Lens) will be shown at Willy-Brandt-Haus in Berlin. It will consist of photos that had been taken by German Wehrmacht or Waffen-SS war correspondents in Warsaw between 1939 and 1945. In addition to the images, diaries, memories and other documents will be shown.


German war correspondent (Air Force NCO with Leica III and tele lens), Warsaw 1939 Continue reading “Photo Exhibition: In the Enemy’s Lens (Berlin)”

Announcement: Image Battles – 2000 Years of News from the War (Osnabrück)

2000 years after the Battle of the Teutoburg Forest1, this event is taken as opportunity for an highly interesting exhibition in Osnabrück, close to the assumed battlefield: “Image Battles” will deal with “news from the war” in a multi-faceted approach on issues of technology, media and art.

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  1. In 9 AD, an alliance of Germanic tribes led by Arminius destroyed three Roman legions led by Publius Quinctilius Varus.

Exhibition: War and Medicine (Dresden)

The Deutsche Hygiene-Museum (German Hygiene Museum) in Dresden presents from 4 April to 9 August 2009 the comprehensive exhibition “Krieg und Medizin” (War and Medicine). It has been organised in cooperation with the Wellcome Collection in London, where the exhibition could be seen from 22 November 2008 to 15 February 2009. The multifaceted Ausstellung exposition includes 450 exhibits on 800m²: photos, surgical instruments, prostheses, documents, but also video installations, paintings and other works of art. A visit is highly recommended.

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Art Karlsruhe / “As Far as No Eye Can See”

 

art-karlsruhe2009This year’s art Karlsruhe will take place between 5 and 8 March. The quite young “international art fair for classical modern and contemporary art” is already well-established on the market.  Besides the many presentations of galleries and artists, it is not the least worth mentioning that with “Leipziger Strasse, 1952” one of the panoramic images by Fritz Tiedemann can be seen, shown at the exhibition “As Far as No Eye Can See” that had been already mentioned here. Continue reading “Art Karlsruhe / “As Far as No Eye Can See””